
1. Shoot every day
Like any skill, the more you do it, the better you can get. The best
camera you have is the one in your hand, so if you aren’t out with your
full DSLR kit, don’t be afraid to take great photos with your cell phone
camera or a point-and-shoot. Photography is photography, make pictures
with a camera. Any camera.
2. Always have your camera near
Pull up a chair and I
can describe two amazing scenes that have been indelibly embedded in my
mind. Unfortunately, for the first, my camera was broken (I was at sea,
far from a camera store). For the second, it was out of reach (I was
flying). I have considered learning to draw or paint so I can make a
“picture” of these two moments.
3. Read your manual
Camera manuals aren’t engaging reading, but they do tell you a lot about how to use your camera. Spend a night or two with your manual and get intimate with your camera. This will help you every time you photograph. Most manuals are now available electronically, so know where to find it, or save it on your mobile device for reference in the field.
4. Check your settings / know your gear
I have often
been tempted to put the following note on a sticker and affix it to my
LCD screen: “Check your ISO, dummy.” If I had a nickel for each time I
went out in the sunlight with my ISO at 800 or higher after shooting the
previous evening in a dark restaurant, I would own a newer camera.
5. Change viewpoint / angle
We see the world from eye
level, and most people’s eyes are, generally, at roughly the same
height. Should your photographs constantly record the world from the
same altitude as your eyes? You will be amazed at how shooting from your
knees, or a high ground, will change your image. Watch a documentary
film about a documentary photographer and see how they move and silently
wonder how many pairs of pants they wear out by constantly kneeling to
shoot from low angles.
6. Know your meter
Know your camera’s metering modes and
use them to your advantage. When you frame an image, see the light and
then meter for how you want your scene to be exposed. Is the lighting
flat? Is a ray of light illuminating your subject? Do you want the
background to melt into darkness? Your camera will help you achieve your
goal; you just have to tell it how to do it. Practice metering and
setting exposure.
7. Know your shooting/exposure modes
Similar to the
last tip, your camera is smart, but it needs help from you from time to
time. Some will tell you to always shoot manual. I disagree. Know how to shoot manual, but also know when other shooting/exposure modes will be advantageous for your particular photographic goal(s).
8. Know your focus modes
If you use autofocus, and you likely do, the camera’s autofocus is either going to make the picture or ruin it. Know what the autofocus modes do and how to adjust focus if the camera suddenly decides it thinks it knows better than you what part of the frame you want in focus.
9. Study photos—but not too much
Study the photographs of others. What do you like? What do you dislike? What would you improve? Is it perfect? Why, then, is it perfect? Look. Enjoy. Remember. Soak it in. But, don’t forget to go out and make your own images!
10. Read photo books
Books and websites have helpful
tips (I hope this counts). But, not all are created equal. Find writers
who you connect with through their writing and find writers who give
good advice. I am a big fan of “basic photography” books and, to this
day, even with a Masters degree in the topic, I populate my bookshelf
with inspirational books written for beginner photographers.
11. Learn / Workshops
The only substitute for learning
through reading (or watching videos) is to make images yourself. Take a
class. Attend a workshop. Similar to books and websites, these are not
all created equal, but, the one thing they should do is immerse you in
photography for a night or a weekend, or more.
12. Use your histogram
In digital photography, the histogram is
the best way to evaluate your exposure for accuracy. The LCD screen can
be misleading. Knowing how to read your histogram might be the
difference between thinking you have a great photo and truly having a
great photo.
13. Shoot raw, highest-resolution JPEG, or film
Shooting raw gives you the best performance from your sensor. That is a
fact. However, raw shooting isn’t practical for every photographer (or
camera). So, if you aren’t going to shoot raw , shoot the
highest-resolution JPEG that your camera allows. This way, even if you
think you are just taking snapshots, you will have the ability to make a
large print if you find that you captured an image you really like.
14. Compose meticulously
There is a nature/nurture
argument about composition. However, study the “rules” and observe
composition in other images to help you “feel” what works best. Then,
try to use that knowledge to your advantage. Be deliberate about your
composition, if time allows.
15. Symmetry
Along the same lines, if you are going
for symmetry, make sure you nail it. A few inches in one direction can
upset the image’s symmetry, and your audience (and you) will know you
were going for symmetry and missed. Photography can be a game of inches.
16. Pay attention to the frame edges
The image is more
than the subject (usually). Scrutinize the corners and the sides and
top and bottom of your frame. Is everything working together well, or is
something completely out of place? Can you adjust to remove the “noise”
of a busy scene? Look at the whole so the whole does not detract from
your subject.
17. Pay attention to the background
Evaluate your
scene, especially in portraiture. Is that a tree growing out of the
subject’s head, or just a funky new hat? Isolate your subjects from the
background by adjusting depth of field, moving the camera, or moving the
subject—unless the subject is the background.
18. Get closer
Robert Capa famously said, “If your
pictures aren’t good enough, you aren’t close enough.” He was 100%
right. Fill your frame with the subject, if you can. This is one of the
most difficult things to do in photography, as we sometimes worry about
being invasive to a stranger, or lazily reach for a telephoto lens to
“cheat” and pretend we got close.
19. Slow down
Of course, there are times when you need
a quick draw, but there is something to be said for planning and being
deliberate. Think about the shot. Visualize the results and calculate
what you need to do to try to achieve it. Put your plan into action.
20. Use a tripod
Nothing slows you down like a tripod.
This is a good thing. Did you just breeze over #19? The tripod won’t
let you do that. Also, as an added bonus, the tripod will hold your
camera steady and help you get a sharper image!
21. Practice good technique
The way you hold your
camera can make a big difference. The way you stand while shooting can
make a big difference. The way you breathe when you release the shutter
can make a big difference. It all adds up and can make or break your
photograph.
22. Look for light
Light is everything in photography.
Spend your time looking for light, even if you aren’t taking photos.
Look for sun beams and breaks, reflections, shadows, natural light,
artificial light. See how light interacts with the environment. See
light.
23. Embrace shade
The wonderful side effect of light is shadow. Shadow is as valuable as light and gives depth and shape to objects. Use shadow in your images. Don’t run from shadow. Embrace it.
24. Patience
Is the light not right? Is the subject in the wrong spot? Sometimes the wrongs of a photo can become rights, if you have time to let the rights happen. Modern life is much faster than it was long ago. Use photography to slow it down and enjoy moments in time. Then, capture them with your camera.
25. Know the rules, and break them
Cliché, but true.
An intentionally over- or underexposed image is usually much more
compelling than one that was incorrectly exposed accidently. The only
good blur is intentional blur. Photography is aesthetic and you can
explore the fringes of what looks good and what doesn’t. But, have a
reason to be at the fringe, because the “my camera settings were messed
up” excuse is not a good reason for promoting soft focus or motion blur.
26. Know your lenses
Different lenses do different
things to an image. Know how your telephotos compress and your
wide-angles distort. Use the best lens for your photographic vision.
Fisheye portraits are fun, but not great for professional headshots.
Sometimes you only have your one lens. Know its strengths and
weaknesses.
27. Don’t overload your quiver
A heavy camera bag is
no fun, unless someone else is carrying it for you. Pack only what you
need and hope you didn’t leave something important behind. Photography
can become a chore when you are overloaded with gear.
28. Know your surroundings
When you look through a
viewfinder, you narrow your field of view of the world around you.
Situational awareness is critical. Are you standing in the middle of a
busy street? Are you blocking others from a great view? Are you in a bad
section of town? Be aware of what is happening around you both for
safety and courtesy and to see and capture more images.
29. Know the weather
Keep a weather eye on the
horizon. Weather can plan an important role in your image: wind, clouds,
sun, rain, snow, lightning, etc. Weather can help make an image, or
ruin your whole day. Use the weather to make better photos. Wear
sunscreen. Wear a hat. Stay warm. Stay cool. Stay dry. Be prepared and
be safe.
30. Celestial awareness
Long the purview of the night photographer, knowing when and where celestial bodies will rise and set can be critical to your imagery. Planning helps make better images at all times. Of course, you might just have to play the cards you are dealt, but, if you give a nod to studying the rotation of the Earth, you might stack the deck in your favor.